Soul-stirring Japanese war drums beat to thunderous applause, thrilling audiences around the world.
Rediscover the grandeur of one of history’s greatest love stories in Lerner and Loewe’s timeless masterpiece, Camelot. A sumptuous tale set in a land where honor and chivalry reign, Camelot follows the love triangle of King Arthur, Queen Guenevere and Lancelot.
Ring in the holidays with Béla Fleck and the Flecktones’ performance of their GRAMMY® Award-winning CD, Jingle All The Way.
September 29, 2009 at 7:30 pm
Location: Phillips Center
Genre: Dance
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Prices: $44.50, Pit, Orchestra Rows A-P and Mezzanine; $28.50, Orchestra Rows Q-Z; $23.25, Balcony. (Prices include tax. Pit seating is limited and subject to availability.)
Click here here to see the program for DANCE.
Click here to read a review of DANCE from The New York Times.
A post-performance discussion will be led by Lucinda Childs following this event.

Did you know…
DANCE was commissioned by the Brooklyn Academy of Music and choreographed by Lucinda Childs in 1979.
The décor for DANCE is a black and white film by Sol Le Witt, which is projected on a transparent scrim downstage of the dancers and is perfectly synchronized with live dancers on the stage.
The costumes in the film and on the stage are the same, and were designed by Christina Giannini.
DANCE consists of three dances that are each approximately 20 minutes in length; it is performed without intermission.
The music for DANCE was composed by Philip Glass and, for this remounting, a new recording was made by the Philip Glass Ensemble.
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Questions about tickets or seat availability should be directed to the Box Office.
September 22nd, 2009 at 8:02 pm
There is a clip of this dance on Youtube, contributed by the Joyce Theater.
http://www.youtube.com/watch?v=gKuSHE4OMGk&feature=channel_page
This is a nice way to get a feel for the upcoming dance performance.
September 30th, 2009 at 10:26 pm
I’m so mad I missed this!!! Can anyone tell me how it was?
October 2nd, 2009 at 5:13 pm
The piece was a beautiful synthesis of movement, film and sound. The dancers of today move differently than their historic counterparts which brought a special feeling of an homage across time to the work. Brilliant white figures swirled with precision across the stage in a non-stop flow of energy and sound. The piece is a classic and the audience in Gainesville received a special gift by its performance.