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The Punch Brothers Featuring Chris Thile

March 25, 2009 at 7:30 pm

Location: Phillips Center

Genre: Contemporary, Folk and Nostalgia

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Buy tickets online!
Prices: $45, Pit; $35, Orchestra Rows A-P and Mezzanine; $30, Orchestra Rows Q-Z; $25, Balcony. (Pit seating is limited and subject to availability.)

punch-bros2.jpgTo read the Punch Brothers’ blog, click here.
To hear an audio clip of the Punch Brothers, click here.

About Chris Thile
Acclaimed as one of the most interesting and inventive musicians of his generation, 26-year-old phenom Chris Thile has changed the mandolin forever, elevating it from its origins as a relatively simple folk and bluegrass instrument to the sophistication and brilliance of the finest jazz improvisation and classical performance. Since his first recording at the age of 12, he has effortlessly won over fellow musicians and critics alike while attracting an immensely devoted fan base throughout the world.

Mr. Thile’s newest album, How to Grow a Woman from the Ground, was released in September 2006 to great critical acclaim and received a Grammy Award nomination for Best Country Instrumental Performance for the song The Eleventh Reel. The band that he formed for the album, now called Punch Brothers, is comprised of young and blazingly talented musicians Gabe Witcher on fiddle, Noam Pikelny on banjo, Chris Eldridge on guitar, and Greg Garrison on bass. They have been playing sold-out performances throughout the United States and completing work on The Blind Leaving the Blind, a long-form, four-movement chamber suite composed by Mr. Thile. The piece received its premiere at Carnegie’s Zankel Hall in March 2007.

For more than 15 years, Mr. Thile has played with Sean and Sara Watkins in the wildly popular band Nickel Creek, with whom he released three albums for a combined two million records sold and toured the world playing in packed halls and arenas. He has also released four solo albums, on which he conquered a dizzying range of instruments, songwriting challenges and musical styles.

Mr. Thile has performed and recorded extensively as a duo with double bass virtuoso Edgar Meyer (with whom he will release an album in 2008) and with fellow eminent mandolinist Mike Marshall, and has plans for a project with celebrated violinist Hilary Hahn. In addition, he has collaborated with a pantheon of bluegrass innovators including Béla Fleck, Dolly Parton, the Dixie Chicks, Jerry Douglas, and Sam Bush. In April 2007, Mr. Meyer and pianist Emanuel Ax performed a piece for double bass and piano that they commissioned from Mr. Thile for a tour including Zankel Hall in New York, the Kennedy Center in Washington D.C., and the new Schermerhorn Symphony Center in Nashville.

Every major mandolin-related award has been presented to Thile over the course of his career, including the National Mandolin Championship at age 12 and the International Bluegrass Music Association’s Mandolinist of the Year. He won a Grammy Award in 2002 with Nickel Creek for their album This Side in the Best Contemporary Folk Album Category, and most recently he won the 2007 BBC Radio 2 Folk Award for Musician of the Year.

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3 Responses to “The Punch Brothers Featuring Chris Thile”

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  1. Gator Rob Da Poker Super Star says:

    If you have even the smallest sense of what good music sounds like this show is a must see. I’ve seen Chris play several times. It’s always lively, different, and very entertaining.

  2. Barbara Cox says:

    I was amazed that the audience wasn’t larger, given the calibre of these artists’ gifts and skill. Although I’m not a fan of country music, Chris Thile reaches beyond the parameters of any cliches about music. He possesses unmatched technical mastery of his instrument, but beyond that his music moves from mood to mood in a way that can only come from the heart.

    The presentation of a four-movement symphony in true classical style with all the innovations of avante-garde style was dazzling. It’s the knd of music I’ll buy and listen to repeatedly because the content is profound.

    Although the audience was small, the younger contingent was exceedingly enthusiastic. Too bad more of us old folks don’t keep ourselves open to these kinds of offerings.

  3. LAURA SCHMID says:

    This was an amazing performance and the music was thrilling from beginning to end. We had front row seats so the venue was plenty intimate for us, but I wonder if the University Auditorium might have been a better venue? I’m really shocked that more tickets weren’t sold.

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